Meet Maria Atanacković – Contemporary Abstract Artist & Printmaker, Dublin
Hi, I’m Maria Atanacković, also known as Maluda, a contemporary Irish visual artist and printmaker based in Dublin. I’m a member of Graphic Studio Dublin and I create bold abstract work that explores the relationship between object,form and composition and making itself. .
Over the years, my practice has moved from printmaking into more physical, constructed work. I realised I wasn’t just interested in image-making, but in building objects that hold space, pieces that sit somewhere between art and design, between wall work and sculpture. That transition led me to embrace the role of artist–maker, where the hand, the material, and the process are all visible.
Central to my work are ideas relating to belonging, co-existence, and spatial connection. Through geometric forms, composition, and colour, I create abstract prints, wall sculptures, and textile pieces that bring together colour, texture and form, with careful attention to how each piece interacts with the space around it.
Maluda is where contemporary abstract art meets design. My work has been exhibited in galleries and creative spaces across Ireland and internationally, and featured in Irish and international publications.
Artist Statement
I work across printed textile, wood assemblage, and printmaking, using surface as both image and structure. I am interested in how materials and processes coexist, creating work that occupies the space between object and image. My research unfolds through making, testing, adjusting, and rebuilding, as a way of thinking through material relationships.
I am drawn to simple geometric forms and explore the complexity that emerges when they are placed in relation to one another, allowing separate elements to operate as a system. My background in print continues to inform and shape my approach to assemblage, particularly in how I consider repetition, layering and colour.
Play and rigour exist simultaneously in my practice. I work intuitively with materials, yet I am deliberate in how elements are resolved and brought into relation. Each process opens different possibilities for control and disruption, operating collaboratively within the work.
Ultimately, I am interested in the collaboration of disparate parts, when material, colour, and form settle into something that is both inevitable and discovered through exploration.
2025: Ardgillan Castle Residency, Awarded by Fingal Arts Office
2024: DCCI Future Makers / Studio Award Winner
2024: Signal Open Art Exhibition / “Best in Show’ Overall Winner
2023 & 2024: Fingal Arts Bursary / Artist development grant
2021 & 2022: The Arts Council Agility Award / Artist development grant
2022 & 2023: Flow Magazine / Artist Feature
2022: Uppercase Magazine / Artist Feature
2022: Origin Magazine / Artist Feature
2022: Fleur and Arbour / Artist Interview
​2021: Uppercase Magazine: Surface Pattern Design Guide / Featured Artist
2018: Love Print Studio Blog / Artist Feature
​2017: Wraptious / Design Competition winner
​2017: Make it in Design / Scholarship winner & Artist interview​